Charles Gounod

French composer

Charles-François Gounod (UK: GOO-noh, US: goo-NOH; French: [ʃaʁl fʁɑ̃swa ɡuno]; 17 June 1818 – 18 October 1893) was a French composer, conductor, and organist of the Romantic era. He wrote twelve operas, of which the most popular has always been Faust (1859); his Roméo et Juliette (1867) also remains in the international repertoire. He composed a large amount of church music, many songs, and popular short pieces including his "Ave Maria" (an elaboration of a Bach piece) and "Funeral March of a Marionette".

Born in Paris into an artistic and musical family, Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs, orchestral music and operas.

Gounod's career was disrupted by the Franco-Prussian War. He moved to England with his family for refuge from the Prussian advance on Paris in 1870. After peace was restored in 1871 his family returned to Paris but he remained in London, living in the house of an amateur singer, Georgina Weldon, who became the controlling figure in his life. After nearly three years he broke away from her and returned to his family in France. His absence, and the appearance of younger French composers, meant that he was no longer at the forefront of French musical life; although he remained a respected figure he was regarded as old-fashioned during his later years, and operatic success eluded him. He died at his house in Saint-Cloud, near Paris, at the age of 75.

Few of Gounod's works remain in the regular international repertoire, but his influence on later French composers was considerable. In his music there is a strand of romantic sentiment that is continued in the operas of Jules Massenet and others; there is also a strand of classical restraint and elegance that influenced Gabriel Fauré. Claude Debussy wrote that Gounod represented the essential French sensibility of his time.

Read more about this composer on Wikipedia.

  • La reine de Saba: Opera 1861 Stage
  • Roméo et Juliette: Opera 1865 Stage
  • Funeral March of a Marionette in D minor 1872 Orchestral
  • A Cécile, song for voice and piano Vocal
  • A la Madone Vocal
  • A toi mon coeur Vocal
  • A une bourse, song for voice and piano Vocal
  • A une jeune fille, song for voice and piano Vocal
  • A une jeune grecque, song for voice and piano Vocal
  • An Evening Service, for chorus and organ Vocal
  • Au printemps Vocal
  • Ave verum Vocal
  • Bacchanalia, for balalaika and orchestra Orchestral
  • Beware: I know a maiden, song for voice and piano Vocal
  • Blessures, song for voice and piano Vocal
  • Boire à l'ombre, song for voice and piano Vocal
  • Boléro, song for voice and piano Vocal
  • Chanson du printemps Vocal
  • Chanson printanière, for voice and piano Vocal
  • Chants sacrés, 60 part songs for voices and organ in 3 volumes Vocal
  • Cinq Mars: Opera Stage
  • Concertino for Flute and Chamber Orchestra Orchestral
  • D'un coeur qui t'aime, for soprano, alto, and piano Vocal
  • Dans cette étable, for chorus and orchestra Vocal
  • Donne-moi cette fleur, song for voice and piano Vocal
  • Fantasy on the Russian National Anthem, for piano and orchestra Orchestral
  • Faust: Opera Stage
  • Gallia: Lamentation, motet for soprano, chorus, orchestra, and organ Vocal
  • Hynne a la Nuit Vocal
  • Invocation Vocal
  • It is not always May, song for voice and piano Vocal
  • Jésus de Nazareth, for baritone and piano with organ ad lib., "Nazareth" Vocal
  • L'absent Vocal
  • L'âme d'un ange, song for voice and piano Vocal
  • La Nonne sanglante: Opera Stage
  • La Reine Du Matin Vocal
  • La chanson du pêcheur, for voice and piano Vocal
  • La rédemption, trilogy of oratorios for soloists, chorus and orchestra Vocal
  • La salutation angélique, song for voice, piano, violin or cello and organ ad lib. Vocal
  • Le Vendredi-Saint, for chorus Vocal
  • Le ciel a visité la terre, song for voice or unison chorus and piano Vocal
  • Le soir Vocal
  • Le temps des roses Vocal
  • Le tribut de Zamora: Opera Stage
  • Les deux pigeons Vocal
  • Les sept paroles du N.S. Jésus-Christ sur la croix Vocal
  • Lullaby Keyboard
  • Marche pontificale, "Marche romaine" Orchestral
  • Marche solennelle in E flat major Orchestral
  • Marche-Fanfare for 12th Hussars in E flat major, for brass band, "La Ronde" Orchestral
  • Mass in B flat major Vocal
  • Mass no. 2 in F major, op. 1 Vocal
  • Messe brève no. 5 aux séminaires, for 2 tenors, bass, male chorus and organ Vocal
  • Messe brève no. 7 aux Chapelles Vocal
  • Messe brève pour les morts, for soloists, double chorus and orchestra in F Vocal
  • Messe solennelle de Sainte Cécile Vocal
  • Messe solennelle no. 4 for chorus and 2 organs, "Messe Chorale" Vocal
  • Mireille: Opera Stage
  • Miserere, for 4 soloists, chorus and organ ad lib. Vocal
  • Missa angeli custodes, for soloists, chorus and organ Vocal
  • Mon habit, song for voice and piano Vocal
  • Mors et Vita Vocal
  • My true love hath my heart, for chorus and piano Vocal
  • Noël, for soprano, alto, female chorus and piano with organ ad lib. Vocal
  • O Divine Redeemer!, for organ Keyboard
  • O salutaris, for chorus and piano or organ Vocal
  • Offertorium for Organ Keyboard
  • Oh! that we two were maying, song for voice and piano with harmonium and viola ad lib. Vocal
  • Pater noster, for chorus and organ Vocal
  • Petite Symphonie in B flat major for 9 Wind Instruments Orchestral
  • Petite symphonie in E flat major for Flute, 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons Chamber
  • Philémon et Baucis: Opera Stage
  • Polyeucte: Opera Stage
  • Primavera, song for voice and piano Vocal
  • Prière du soir Vocal
  • Prière du soir, for chorus Vocal
  • Quand l'enfant prie, song for voice and piano Vocal
  • Queen of Love, song for voice and piano Vocal
  • Regina coeli, for 5 voices Vocal
  • Repentir Vocal
  • Réponse de Medjé, song for voice and piano Vocal
  • Saltarello Orchestral
  • Sapho: Opera Stage
  • Symphony no. 1 in D Orchestral
  • Symphony no. 2 in E flat major Orchestral
  • Sérénade, "Chantez, riez, dormez" Vocal
  • There is a green hill far away Vocal
  • Tobie Vocal
  • Under Thy Grace Vocal
  • Viens, les gazons sont verts Vocal
  • Vierges d'Athenes, for voice and piano Vocal