Franz Liszt

Hungarian romantic composer and virtuoso pianist

Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.

Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who had preceded him.

During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédéric Chopin, Robert Schumann, Clara Schumann and Richard Wagner, among others. Liszt was the first to apply the terms "transcription" and "paraphrase" to music, and would perform arrangements of his contemporaries' music to popularise it. Alongside Wagner, Liszt was one of the most prominent representatives of the New German School, a progressive group of composers involved in the "War of the Romantics" who developed ideas of programmatic music and harmonic experimentation.

Liszt taught piano performance to hundreds of students throughout his life, many of whom went on to become notable performers. He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt's musical contributions were the concept of the symphonic poem, innovations in thematic transformation and Impressionism in music, and the invention of the masterclass as a method of teaching performance. In a radical departure from his earlier compositional styles, many of Liszt's later works also feature experiments in atonality, foreshadowing developments in 20th-century classical music. Today he is best known for his original piano works, such as the Hungarian Rhapsodies, Années de pèlerinage, Transcendental Études, "La campanella", and the Piano Sonata in B minor.

Read more about this composer on Wikipedia.

  • Hexameron, S.392, R.131 1837 Keyboard
  • Malédiction, for piano and string orchestra, S.121 1840 Orchestral
  • Totentanz 1849 Keyboard
  • Totentanz, S.126, R.457 1849 Orchestral
  • Totentanz, S.525 1849 Keyboard
  • Héroïde funèbre, S.102 1850 Orchestral
  • Héroïde funèbre, S.642 1850 Keyboard
  • 2 Polonaises, S.223, R.44 1851 Keyboard
  • Tasso: Lamento e Trionfo, S.636 1854 Keyboard
  • Tasso: Lamento e Trionfo, S.96 1854 Orchestral
  • Piano Concerto no. 1 in E flat major, S.124 1856 Orchestral
  • Die Ideale, S.106 1857 Orchestral
  • Die Ideale, S.646 1857 Keyboard
  • Hamlet, S.104, R.421 1858 Orchestral
  • Hamlet, S.644 1858 Keyboard
  • Die Lorelei, S. 532 1861 Keyboard
  • Piano Concerto no. 2 in A major, S.125 1861 Orchestral
  • Via Crucis: Les 14 stations de la croix, for soloists, chorus, and organ, S.53, R.534 1879 Vocal
  • Unstern! Sinistre, disastro, S.208 1881 Keyboard
  • Bagatelle without Tonality, S.216a, R.60c 1885 Keyboard
  • Historiche ungarische, S.205, R.112 1885 Keyboard
  • Mephisto Waltz no. 4, S.216a, R.60c, "Bagatelle sans tonalité" 1885 Keyboard
  • 10 Lieder, S.569 Keyboard
  • 12 Chorales, Zwölf alte deutsche gestliche, S.50 Keyboard
  • 12 Etudes pour le piano-forte, S.136, R.1 Keyboard
  • 12 Grandes Etudes, S.137, R.2a Keyboard
  • 12 Lieder von Robert Franz, S.489 Keyboard
  • 12 Lieder, S.558, R.243 Keyboard
  • 12 Soirées Musicales, S.424, R.236 Keyboard
  • 19 Hungarian Rhapsodies, S.244, R.106 Keyboard
  • 2 Concert Etudes, S.145, R.6 Keyboard
  • 2 Czardas, for piano, S225/R45 Keyboard
  • 2 Episodes from Lenau's Faust, S.110 Orchestral
  • 2 Episodes of Lenaus Faust, for piano 4-hands, S.599 Keyboard
  • 2 Légendes, S.175, R.17 Keyboard
  • 2 Pieces from 'Lohengrin' and 'Tännhauser', S.445 Keyboard
  • 2 Romanceros espagnol, S.695c Keyboard
  • 2 Russian Melodies, S.250 Keyboard
  • 2 Waltzes, S.208a, for violin and piano Chamber
  • 25 Bunte Reihe, S.484 Keyboard
  • 3 Apparitions, S.155 Keyboard
  • 3 Concert Etudes, S.144, R.5 Keyboard
  • 3 Funeral Odes, S.516 Keyboard
  • 3 Lieder aus Julius Wolffs Tannhäuser, S.498 Keyboard
  • 3 Morceaux suisses Keyboard
  • 3 Odes funèbres, S.112 Orchestral
  • 3 Odes funèbres, S.517 Keyboard
  • 3 Petrarch Sonnets I, for piano, S.158 Keyboard
  • 3 Schubert Marches, for piano, S426/R251 Keyboard
  • 3 Sonetti di Petrarca, S.270 Vocal
  • 3 Songs from William Tell, S.292 Vocal
  • 3 Songs, S.485, R.150 Keyboard
  • 4 Consolations, for organ Keyboard
  • 4 Geistliche Lieder, S.562, R.247 Keyboard
  • 4 Valses oubliées, S.215, R.37 Keyboard
  • 4 Vier Kleine Klavierstücke, S.192 Keyboard
  • 5 Hungarian Folk Songs, S.245, R.108 Keyboard
  • 6 Consolations, S.172, R.12 Keyboard
  • 6 Hungarian Rhapsodies, S.359 Orchestral
  • 6 Melodies of Franz Schubert, S.563 Keyboard
  • 6 Müllerlieder, S.565, R.249 Keyboard
  • 6 Organ Preludes and Fugues, S.462, R.119 Keyboard
  • 6 Polish Songs, S.480, R.145 Keyboard
  • 6 Soirées italiennes, S.411 Keyboard
  • 7 Songs, S.547, R.217 Keyboard
  • 7 Variations brillantes sur un theme de Rossini, S.149, R.148 Keyboard
  • 8 Préludes et Harmonies poétiques et religieuses, S.171d Keyboard
  • A magyarok Istene, S 674 Keyboard
  • A magyarok Istene, S.543 Keyboard
  • A magyarok Istene, for chorus, S339/R635 Vocal
  • Ab irato, S.143, "The Perfect Etude" Keyboard
  • Abschied, S.251 Keyboard
  • Adelaïde, S.466 Keyboard
  • Adélaide Keyboard
  • Agnus Dei de la Messe de Requiem, S.675c Keyboard
  • Album d'un voyager, S.156 Keyboard
  • Album-Leaf: Consolation no. 1, S.171b Keyboard
  • Alleluia et Ave Maria, S.183 Keyboard
  • Am Grabe Richard Wagners, S.202 Keyboard
  • Am Grabe Richard Wagners, S.267 Keyboard
  • Am Grabe Richard Wagners, for string quartet, S.135, R.474 Chamber
  • Am stillen Herd aus den Meistersingern, S.448, R.281 Keyboard
  • An die Kunstler, for chorus, S70/R540 Vocal
  • Andante finale and March, S.421, R.233 Keyboard
  • Andante religioso, S.261a Keyboard
  • Anfangs wollt' ich fast verzagen, S.311 Vocal
  • Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473 Chamber
  • Angelus! Prière aux anges gardiens, for harmonium, S.672c Keyboard
  • Angiolin del biondo crin, S.269 Vocal
  • Années de pèlerinage, S.160-163, R.10a-e Keyboard
  • Aprés une lecture du Dante I, fantasia quasi sonata, S.158c Keyboard
  • Aus Lohengrin, S.446 Keyboard
  • Ave Maria in D flat major, S.504/2 Keyboard
  • Ave Maria in G major, for voice and piano in G major, S.341 Vocal
  • Ave Maria von Arcadelt, S.659 Keyboard
  • Ave Maria, S.545 Keyboard
  • Ave Maria, S.659, R.401 Keyboard
  • Ave Maria, S.674b Keyboard
  • Ave Maria, for chorus and organ ad lib, S.20/1, R.496a Vocal
  • Ave Maria, for chorus and organ, S.20/2 Vocal
  • Ave Maria, for soloist and organ, S.681 Vocal
  • Ave Maria: Die Glocken von Rom, S.182 Keyboard
  • Ave Maris Stella in D major, for voice and piano, S.680 Vocal
  • Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a Vocal
  • Ave maris stella, S.506 Keyboard
  • Ave verum corpus, for chorus and organ ad lib, S.44 Vocal
  • Ballad from 'The Flying Dutchman', S.441 Keyboard
  • Ballade no. 1, S.170, "Le Chant du Croise" Keyboard
  • Ballade no. 2 in B minor, S.171, R.16 Keyboard
  • Ballade, for piano no. 2 in B minor, S.170a Keyboard
  • Ballade, for piano no. 2 in B minor, S.171 Keyboard
  • Benedictus and Offertorium aus der ungarischen Krönungsmesse, S.501 Keyboard
  • Benedictus and Offertorium, for violin and piano, S.381, R.465 Chamber
  • Berceuse, S.174 Keyboard
  • Bist du Vocal
  • Blume und Duft, S.324 Vocal
  • Buch der Lieder, S.531, R.209 Keyboard
  • Cantico del Sol di San Francesco, cantata for soloist, male chorus, orchestra, and organ, S.4/2 Vocal
  • Carrousel de Mme. Pelet-Narbonne, S.214a, R.60b Keyboard
  • Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie" Orchestral
  • Ce qu'on entend sur la montagne, for 2 pianos, S. 635, "Bergsymphonie" Keyboard
  • Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2 Vocal
  • Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539 Vocal
  • Christus for soloists, chorus, orchestra and organ, S.3, R.478: Oratorio Vocal
  • Christus ist geboren, for chorus and organ Vocal
  • Christus ist geboren: Nato e Cristo Redentor, S.502 Keyboard
  • Comment, Disaient-ils, S.276 Vocal
  • Concert Paraphrase of 'Ernani', S.432 Keyboard
  • Concert Paraphrase of 'Rigoletto', S.434, R.267 Keyboard
  • Concerto pathéthique in E minor, S.365b Orchestral
  • Concerto pathéthique, S.367 Orchestral
  • Concerto pathétique Orchestral
  • Consolations Nos. 3-6, S.672d Keyboard
  • Csardas obstine, for piano, S618/R300 Keyboard
  • Csárdás macabre, S.224, R.46 Keyboard
  • Czardas obstine, S.225 Keyboard
  • Dance macabre, S.555, R.240 Keyboard
  • Dante Symphony, for 2 pianos S.648 Keyboard
  • De Profundis, Psaume Instrumental, S.121a Orchestral
  • Dem Andenken Petofis, S.195, R111 Keyboard
  • Der Asra, S.554/2, R.239/2 Keyboard
  • Der Gondelfahrer, S.559 Keyboard
  • Der Herr bewährt die Seelen seiner Heiligen Vocal
  • Der König von Thule, S.278 Vocal
  • Der du Von dem Himmel Bist, S.279 Vocal
  • Der traurige Mönch, for narrator and piano, S.348: Melodrama Stage
  • Des Tages laute Stimmen schweigen, S.337 Vocal
  • Die Fischertochter, S.325 Vocal
  • Die Forelle, S.564 Keyboard
  • Die Legende von der heilgen Elisabeth for soloists, chorus and orchestra, S.2: Oratorio Vocal
  • Die Lorelei, S.273 Vocal
  • Die Rose, Romanze aus der Oper Zemir und Azor, S.571, R.259 Keyboard
  • Die Rose, S.556, R.241 Keyboard
  • Die Seligkeiten Vocal
  • Die Trauer-Gondel, S.199a, no. 1 Keyboard
  • Die Vätergruft, S.281 Vocal
  • Die Zelle in Nonnenwerth, S.274 Vocal
  • Die drei Zigeuner, S.320 Vocal
  • Die drei Zigeuner, for violin and piano, S.383 Chamber
  • Die stille Wasserrose, S.321 Vocal
  • Die tote Nachtigall, S.291 Vocal
  • Domine salvum fac regem, for chorus, S23/R504 Vocal
  • Don Carlos: Coro di festa e Marcia funebre, S.435 Keyboard
  • Don Sanche, opera, S476/R13 Stage
  • Du Bist wie Eine Blume, S.287 Vocal
  • Duo Sonata, for violin and piano, S.127 Chamber
  • Einleitung, Fuge and Magnificat aus der Symphonie zu Dante, S.672b Keyboard
  • Einst Vocal
  • Einst, S.332 Vocal
  • Elegie no. 1, S.196 Keyboard
  • Elegie no. 1, for cello and piano, S.196, "Schlummerlied im Grabe" Chamber
  • Elegie no. 1, for violin, piano and harmonium, S.130ter Chamber
  • Elegie no. 2, S.197 Keyboard
  • Elegie no. 2, for violin and piano, S.131 Chamber
  • Elegie: Die Zelle in Nonnenwerth and piano, S.382 Chamber
  • Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168 Keyboard
  • En rêve, S.207, R.87 Keyboard
  • Enfant, si J'étais Roi, S.283 Vocal
  • Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano, S.129 Chamber
  • Es muss ein Wunderbares sein, S.314 Vocal
  • Es rauschen die Winde, S.294 Vocal
  • Es war einmal ein König, for soloist, male chorus and piano, S.73 Vocal
  • Evocation à la Chapelle Sixtine, for organ, harmonium or pedal piano, S.658 Keyboard
  • Excelsior! Preludio zu dem Glocken des Strassburger Münsters, for organ, S.666 Keyboard
  • Fantasia on Hungarian Folk Themes S.123, R.458, "Hungarian Fantasy" Keyboard
  • Fantasia on themes from 'Der Freischütz, S.451, R.284 Keyboard
  • Fantasie sur des motifs favoris de l'opera La sonnambula, for piano, S393/R132 Keyboard
  • Fantasie über Motive aus Figaro und Don Juan, S.697 Keyboard
  • Fantasie über Motiven aus Beethovens Ruinen von Athen, S.122 Keyboard
  • Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam, S.624, R.314 Keyboard
  • Fantasy and Fugue on the Theme B-A-C-H, S.529 Keyboard
  • Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259 Keyboard
  • Fantasy on motives from the opera 'La sonnambula', S.393, R.192 Keyboard
  • Fantasy sur l'opéra hongroise Szép Ilonka, S.417 Keyboard
  • Faust Symphony, S.108, R.425 Orchestral
  • Feierlicher Marsch zum heiligen Gral aus Parsifal, S.450 Keyboard
  • Festklänge, S.101 Orchestral
  • Festklänge, S.101, R.418 Orchestral
  • Festklänge, S.641 Keyboard
  • Festklänge, symphonic poem for piano, S.511d Keyboard
  • Festmarsch nach Motiven von E.H. z. S.C.-G., S.116 Orchestral
  • Festmarsch zur Goethe Jubilaumsfeier, S.115 Orchestral
  • Festvorspiel Keyboard
  • Feuille d'Album no. 1 in E major, S.164 Keyboard
  • Feuilles d'album in A flat major, S.165 Keyboard
  • Freudvoll und Leidvoll, S.280 Vocal
  • Frühlingsnacht, S.568 Keyboard
  • Galop de bal, S.220, R.42 Keyboard
  • Galop in A minor, S218/R40 Keyboard
  • Gastibelza S.286 Vocal
  • Gebet, S.331 Vocal
  • Gestorben war ich S.308 Vocal
  • Go not, happy day, S.335 Vocal
  • Gottes ist der Orient II, for male chorus, S.90/12 Vocal
  • Grand Duo concertant sur la Romance de 'Le Marin', for violin and piano, S.128 and S.700h Chamber
  • Grand Paganini Étude, S.141 Keyboard
  • Grand Septet, S.465, R.127 Keyboard
  • Grand fantasia de bravoure sur 'La clochette', S.420, R.231 Keyboard
  • Grand fantasy on motives of 'Soirées Musicales': La serenata e L'orgia, S.422, R.234 Keyboard
  • Grand galop chromatique, S.219 Keyboard
  • Grande Fantaisie symphonique über Themen aus Berlioz's 'Lélio', S.120 Keyboard
  • Grande paraphrase de la marche pour Sa Majesté le sultan Abdul Medjid-Khan, S.403, R.157 Keyboard
  • Grande valse di bravura, for piano 4-hands, S.615, "Le bal de Berne" Keyboard
  • Grandes Etudes de Paganini, S141/R3b Keyboard
  • Gretchen: 2.Satz aus der Faust-Symphony, S.513 Keyboard
  • Grosses Konzertsolo, S.176, R.18 Keyboard
  • Harold en Italie, S472/R138 Keyboard
  • Hohe Liebe Vocal
  • Hosanna, for trombone and organ, S.677, R.409 Chamber
  • Hungaria, S.103, R.420 Orchestral
  • Hungaria, S.643 Keyboard
  • Hungaria, symphonic poem for piano, S.511e Keyboard
  • Hungarian Battle March, S.119 Orchestral
  • Hungarian Coronation Mass, S.11 Vocal
  • Hungarian Fantasy, S.123 Orchestral
  • Hunnenschlacht, S.105 Orchestral
  • Hunnenschlacht, S.645 Keyboard
  • Hymne à Sainte-Cécile, S.491, R.168 Keyboard
  • Ich liebe dich, S.315 Vocal
  • Ich scheide, S.319 Vocal
  • Ihr Auge Vocal
  • Ihr glocken von Marling, S.328 Vocal
  • Il m'aimait tant, S.271 Vocal
  • Illustrations du 'Prophète', S.414, R.222 Keyboard
  • Im Rhein, im schönen Strome, S.272 Vocal
  • Impromptu in F sharp major, S.191 Keyboard
  • Impromptu brillant sur des themes de Rossini et Spontini, S.150, R.29 Keyboard
  • In Dominum Domini Ibimus, prelude, S.671 Keyboard
  • In Liebeslust S.318 Vocal
  • In festo transfigurationis Domini nostri Jesu Christi, S.188 Keyboard
  • Introitus, S.268/1 Keyboard
  • Isoldens Liebestod: Schlußszene aus Tristan und Isolde, S.447 Keyboard
  • Isten veled!, S.299 Vocal
  • J'ai perdu ma force et ma vie, S.327, "Tristesse" Vocal
  • Jeanne d'Arc au Bûcher, S.293 Vocal
  • Jugendglück, S.323 Vocal
  • Klavierstück in F sharp major, S.193 Keyboard
  • Kling leise, mein Lied, S.301 Vocal
  • L'hymne du pape, S.530 Keyboard
  • La Lugubre gondola, for violin and piano, S.134bis Chamber
  • La Notte, S.602 Keyboard
  • La lugubre gondola, S.200 Keyboard
  • La notte, for violin and piano, S.377a Chamber
  • La perla, S.326 Vocal
  • La tombe et la rose, S.285 Vocal
  • Lasst mich ruhen, S.317 Vocal
  • Le Vieux Vagabond S.304 Vocal
  • Le carnaval de Pesth, S.379, R.470 Chamber
  • Le juif errant, S.300 Vocal
  • Lenore, for narrator and piano, S.346: Melodrama Stage
  • Les Preludes, S97/R414 Orchestral
  • Les Préludes, S.637 Keyboard
  • Les Préludes, S.97 Orchestral
  • Les adieux, rêverie, from 'Romeo et Juliette', S.409, R.169 Keyboard
  • Les sabéennes, Berceuse from 'The Queen of Sheba', S.408, R.167 Keyboard
  • Licht, mehr Licht, for chorus, S84/R554 Vocal
  • Liebestraum, 3 notturnos, S.541 Keyboard
  • Liebesträume Keyboard
  • Litanei, S.562/1 Keyboard
  • Lob der Tränen, S.557 Keyboard
  • Magyar kiraly-dal, for chorus, S93/R563 Vocal
  • Marche et Cavatine de Lucia de Lammermoor, S. 398 Keyboard
  • Marche funèbre de 'Dom Sebastien', S.402, R.156 Keyboard
  • Mariengarten, for chorus, S62/R512 Vocal
  • Mazeppa I, S.138 Keyboard
  • Mazeppa, S.100 Orchestral
  • Mazeppa, S.640 Keyboard
  • Mazurka pour piano composee par un amateur de St. Petersbourg, S.384 Keyboard
  • Mephisto Polka, S.217, R.39 Keyboard
  • Mephisto Waltz no. 1, S.514 Keyboard
  • Mephisto Waltz no. 2, S.111 Orchestral
  • Mephisto Waltz no. 2, S.515 Keyboard
  • Mephisto Waltz no. 3, S.216, R.38 Keyboard
  • Mephisto Waltz no. 4, S.696 Keyboard
  • Mignons Lied, S.275, "Kennst du das Land" Vocal
  • Miserere du Trovatore, S.433 Keyboard
  • Missa choralis quatour vocum concinente organo, for chorus and organ, S.10 Vocal
  • Missa pro organo, S.264 Keyboard
  • Missa solemnis zur Einweihung der Basilika in Gran, S.9 Vocal
  • Morceau de salon, étude de perfectionnement, S.142 Keyboard
  • Morgens steh' ich auf und frage, S.290 Vocal
  • Mosonyis Grabgeleit, S.194 Keyboard
  • Muttergottes-Sträusslein, S.316: Song cycle Vocal
  • Nimm einen Strahl der Sonne, S.310, "Ihr Auge" Vocal
  • Nuages gris, S.199 Keyboard
  • Nun danket alle Gott, S.674c Keyboard
  • Nun danket alle Gott, for chorus, brass, percussion and organ ad lib, S.61 Vocal
  • O Roma Nobilis, S.456a Keyboard
  • O Roma Nobilis, S.669c Keyboard
  • O Roma Nobilis, for chorus and keyboard, S.54 Vocal
  • O du mein holder Abendstern, from 'Tannhäuser', S.444, R.277 Keyboard
  • O sacrum convivium, S.674a Keyboard
  • O salutaris hostia II, for chorus, S.43 Vocal
  • O! Wenn es doch immer so bliebe, S.554, R.239 Keyboard
  • Oh! pourquoi donc, S.301a Vocal
  • Ora pro nobis, litany, S.262 Keyboard
  • Orchester-Einleitung aus der Legende von der heiligen Elisabeth, S.663a Keyboard
  • Orpheus, S.638 Keyboard
  • Orpheus, S.98 Orchestral
  • Orpheus, symphonic poem, S.511b Keyboard
  • Orpheus, symphonic poem, S.672a Keyboard
  • Overture to 'Der Freischutz', S.575, R.289 Keyboard
  • Overture to 'Tannhäuser', S.442, R.275 Keyboard
  • Overture to 'William Tell', S.552, R.237 Keyboard
  • Paganini Caprices, S.140, R.3a Keyboard
  • Pastorale: Schnitterchor aus den Entfesselten Prometheus, for piano, S.508 Keyboard
  • Pater Noster I in A flat major, for chorus and organ, S.29 Vocal
  • Pater Noster III in F S. 41/1 Vocal
  • Phantasiestück über Motive aus Rienzi, S.439 Keyboard
  • Piano Concerto no. 2 in A major, for 2 pianos, S.651 Keyboard
  • Piano Concerto no. 3 in E flat major, S.125a Orchestral
  • Piano Piece in A flat major, S189a/R44a Keyboard
  • Piano Sonata in B minor, S.178 Keyboard
  • Polonaise brillante, op. 72, S.455, R.460 Keyboard
  • Polonaise from 'Eugene Onegin', S.429, R.262 Keyboard
  • Prelude a la polka de Borodine, S.207a Keyboard
  • Prelude and Fugue on the motive B-A-C-H, S.260i Keyboard
  • Prelude and Fugue on the motive B-A-C-H, S.260ii Keyboard
  • Preludio per Il Cantico del Sol di San Francesco, S.665 Keyboard
  • Pro papa Vocal
  • Prometheus, S.639 Keyboard
  • Prometheus, S.99 Orchestral
  • Psalm 129, De profundis Vocal
  • Psalm 129, De profundis, S.16i Vocal
  • Psalm 13: Herr, wie lange, for tenor, chorus and orchestra, S.13b Vocal
  • Psalm 18, Coeli enarrant gloriam Dei Vocal
  • Psalm 23, Mein Gott, der ist mein Hirt for soloists, chorus and keyboard Vocal
  • Qui seminant in lacrimis, for chorus and organ, S.63 Vocal
  • R.W. Venezia, S.201 Keyboard
  • Recueillement, S.204 Keyboard
  • Regina coeli laetare, S.663 Keyboard
  • Repsonsorien und Antiphonen, for male chorus and organ ad lib, S.30 Vocal
  • Requiem Vocal
  • Requiem, S.266 Keyboard
  • Resignazione, S.187 Keyboard
  • Resignazione, S.263/187a Keyboard
  • Revive Szegedin, S.572, R.260 Keyboard
  • Rhapsodie espagnole, S.254, R.90, "Folies d'Espagne et jota aragonesa" Keyboard
  • Romance in E minor, S.169 Keyboard
  • Romance oubliée Keyboard
  • Romance oubliée, S.527, R.66b Keyboard
  • Romance oubliée, for viola and piano, S.132 Chamber
  • Rosario, 3 works, S.670 Keyboard
  • Rosario, for soloist, chorus and organ Vocal
  • Russian Galop, S.478, R.143 Keyboard
  • Rákóczi-Marsch, S.117 Orchestral
  • Rákóczi-Marsch, for 2 pianos, S.652a Keyboard
  • Réminiscences de 'Lucrezia Borgia', S.400, R.154 Keyboard
  • Réminiscences de 'Lucia di Lammermoor', S.393, R.151 Keyboard
  • Réminiscences de 'Lucia di Lammermoor', S.397 Keyboard
  • Réminiscences de 'Norma', S.394, R.133 Keyboard
  • Réminiscences de 'Simone Boccanegra', S.438, R.271 Keyboard
  • Réminiscences des 'Huguenots', Grande Fantaisie dramatique, S.412 Keyboard
  • S'il est un charmant gazon, S.284 Vocal
  • Sacred Dance and Final Duet from 'Aida', S.436 Keyboard
  • Salve Maria de Jérusalem, S.431 Keyboard
  • Salve Regina, for chorus, S.66 Vocal
  • Sancta Dorothea, S.187 Keyboard
  • Sancta Dorothea, S.187, R.73 Keyboard
  • Sarabande and Chaconne from 'Almira', S.181, R.25 Keyboard
  • Scherzo in G minor, S.153 Keyboard
  • Scherzo and March, S.177 Keyboard
  • Scherzo und Marsch, S177/R20 Keyboard
  • Schlaflos, Frage und Antwort, nocturne, S.203 Keyboard
  • Schwanengesang, S.560, R.245 Keyboard
  • Second fantasy on motives of 'Soirees musicales': La pastorella dell'Alpi e Li marinari, S.423, R.235 Keyboard
  • Septem Sacramenta, S.52 Vocal
  • Slavimo, slavni, Slaveni!, S.668 Keyboard
  • Soirées de Vienna, 9 Valses caprices d’après Schubert, S.427 Keyboard
  • Spinnerlied aus Der Fliegenden Holländer, S.440 Keyboard
  • Spirto gentil, from 'La favorite', S.400a Keyboard
  • Sposalizio I, S.157a Keyboard
  • Stabat Mater, S.579/3 Keyboard
  • Symphonie fantastique, S.470 Keyboard
  • Symphony no. 1 in C, S.464/1 Keyboard
  • Symphony no. 2 in D, S.464/2 Keyboard
  • Symphony no. 3 in E flat major, S.464/3 Keyboard
  • Symphony no. 4 in B flat major, S.464/4 Keyboard
  • Symphony no. 5 in C minor, S.464/5 Keyboard
  • Symphony no. 6 in F, S.464/6 Keyboard
  • Symphony no. 7 in A major, S.464 Keyboard
  • Symphony no. 7 in A, S.464/7 Keyboard
  • Symphony no. 8 in F, S.464/8 Keyboard
  • Symphony no. 9 in D minor, S.464/9 Keyboard
  • Symphony to Dante's Divina Commedia, S.109, R.426 Orchestral
  • Szózat and Hungarian Hymn, S.486, R.158 Keyboard
  • Tannhauser: Pilgrim's Chorus, S.443 Keyboard
  • Tarantelle, S.482 Keyboard
  • Tarentelle di bravura d'après la tarantella de 'La muette de Portici', S.386, R.117 Keyboard
  • Tarentelle, S.483, R148 Keyboard
  • Toccata, S.197a, R.60 Keyboard
  • Transcendental Etudes, S.139, R.2b Keyboard
  • Trauerode, oration, S.268/2 Keyboard
  • Trauervorspiel und Trauermarsch, S.206 Keyboard
  • Tristia, from Vallée d'Obermann, for violin, cello and piano, S.378c Chamber
  • Tscherkessenmarsch aus Russlan Ludmilla, for piano 4-hands, S.629 Keyboard
  • Tu es Petrus aus dem Orartorio Christus, S.664/1 Keyboard
  • Two Lieder, S.494-495 Keyboard
  • Und wir dachten der Toten Vocal
  • Urbi et Orbi, bénédiction papale, S.184 Keyboard
  • Valhalla from 'Der Ring des Nibelungen', S.449, R.282 Keyboard
  • Valse d'Adele, S.456 Keyboard
  • Valse impromptu, S.213, R.36 Keyboard
  • Valse à capriccio, sur deux motifs de 'Lucia et Parisina', S.401, R.155 Keyboard
  • Variation on a Waltz by Diabelli, S.147, R.26 Keyboard
  • Variationen über das Motiv von Bach: Weinen, Klagen, S.673 Keyboard
  • Variations on Bach's Weinen, Klagen, Sorgen, Zagen and Crucifixus from Mass in B minor, S.673, R.382 Keyboard
  • Variations on a Bach motive: Weinen, Klagen, S.180 Keyboard
  • Venezia e Napoli, S159/R10d Keyboard
  • Venezia, S.201, R.82 Keyboard
  • Verlassen, S.336 Vocal
  • Vexilla regis prodeunt, for piano, S185/R70 Keyboard
  • Von der Wiege bis zum Grabe, S.107, R.424 Orchestral
  • Waltz from 'Faust', S.407, R.166 Keyboard
  • Wanderer Fantasy, S.366 Keyboard
  • Wartburg Lieder, S.345 Vocal
  • Was Liebe sei?, S.288 Vocal
  • Wedding March and Dance of the Fairies, S.410, R.219 Keyboard
  • Weihnachtsbaum, 4 hands, S.613 Keyboard
  • Weihnachtsbaum, S.186 Keyboard
  • Weimar Volkslied, S.672 Keyboard
  • Wer nie sein Brot mit Tranen ass, S.297 Vocal
  • Widmung, S.566 Keyboard
  • Widmung, S.566, R.249 Keyboard
  • Wie singt die Lerche schön, S.312 Vocal
  • Wieder möcht ich dir begegnen, S.322 Vocal
  • Wiegenlied, S.198 Keyboard
  • Winterreise, S.561, R.246 Keyboard
  • Wo weilt er?, S.295 Vocal
  • Zum Haus des Herrn ziehen wir, S.505 Keyboard
  • Zwei Kirchenhymnen, S.669 Keyboard
  • Über allen gipfeln ist Ruh', S.306 Vocal