Gian Carlo Menotti
Italian-American composer and librettist
Gian Carlo Menotti (Italian: [ˈdʒaŋ ˈkarlo meˈnɔtti]; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship and never officially became an American citizen. One of the most frequently performed opera composers of the 20th century, he wrote his most successful works in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent.
Menotti also wrote music for several ballets, many choral works, chamber music, orchestral music of varying kinds including a symphony, and stage plays. Notable among these are his cantata The Death of the Bishop of Brindisi, written in 1963, and the cantata Landscapes and Remembrances in 1976 – a descriptive work of Menotti's memories of America written for the United States Bicentennial. Also worthy of note is a small Mass commissioned by the Roman Catholic Archdiocese of Baltimore, entitled Mass for the Contemporary English Liturgy.
Menotti taught music composition on the faculty of the Curtis Institute of Music from 1948 to 1955. He also served as the artistic director of the Teatro dell'Opera di Roma from 1992 to 1994, and directed operas periodically for notable organizations such as the Salzburg Festival and the Vienna State Opera.
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- Amelia Goes to the Ball 1934
- The Island God 1941
- The Medium 1946
- The Telephone 1946
- The Consul 1949
- Amahl and the Night Visitors 1951
- The Saint of Bleecker Street 1954
- The Unicorn, the Gorgon, and the Manticore 1956
- L'ultimo superuomo 1963
- Martin's Lie 1964
- Help, Help, the Globolinks! 1968
- Tamu-Tamu 1973
- La Loca 1978
- The Trial of the Gypsy 1978
- Chip and His Dog 1979
- A Bride from Pluto 1982
- The Boy Who Grew Too Fast 1982
- Goya 1986
- The Singing Child 1993
- Afraid, am I afraid? (Baba's Aria)
- Ah, Michele, don't you know
- Ah, do not laugh
- Ah, poor Michele
- All that gold!
- Amahl and the night visitors
- Be good to her, be kind
- Concerto
- Concerto
- Dearest Amelia
- Errand into the Maze
- Hello! Oh Margaret, it's you
- How did I do it?
- I know that you all hate me
- I shall find for you
- Immoral? Can sleep be immoral?
- L'unicorno, la gorgona e la manticora
- Labyrinth
- Look at all those things
- Maria Golovin
- Monica's Waltz
- My sleeping beauty
- Oh sweet Jesus, spare me this agony
- Oh, those faces!
- Oh, what a lovely ballroom this is!
- Oh, woman, you may keep the gold
- Oh, yes, I love her
- Out of my dreams
- Sebastian
- Shall we ever see
- Steal me, sweet thief
- The Black Swan
- The Bride's Song
- The Egg
- The Empty-Handed Traveler
- The Foreign Woman's Aria
- The Hero
- The Last Savage
- The Most Important Man
- The Old Maid and the Thief
- The Police Agent's Aria
- This is my box
- To this we've come…Papers, papers
- What does she ever do for you except light candles for your soul?... Ah Michele, don't you know
- When the air sings of summer
- While I waste these precious hours
- You remember the time
The Long Line