Richard Wagner

German composer

Wilhelm Richard Wagner ( VAHG-nər; German: [ˈvɪlˌhɛlm ˈʁɪçaʁt ˈvaːɡnɐ]; 22 May 1813 – 13 February 1883) was a German composer, theatre director, essayist, and conductor, best known for his operas, although his mature works are often referred to as music dramas. Unlike most composers, Wagner wrote both the libretti and the music for all of his stage works. He first achieved recognition with works in the Romantic tradition of Carl Maria von Weber and Giacomo Meyerbeer, but revolutionised the genre through his concept of the Gesamtkunstwerk ("total work of art"), which sought to unite poetic, musical, visual, and dramatic elements. In that approach, the drama unfolds as a continuously sung narrative, with the music evolving organically from the text rather than alternating between arias and recitatives. Wagner outlined those ideas in a series of essays published between 1849 and 1852, most fully realising them in the first half of his four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).

Wagner's compositions, particularly in his later period, have complex textures, rich harmonies and orchestration, and elaborate leitmotifs—musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music; his Tristan und Isolde is regarded as an important precursor to modernist music. Later in life, he softened his ideological stance against traditional operatic forms (e.g., arias, ensembles and choruses), reintroducing them into his last few stage works, including Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg) and Parsifal.

To fully realise his artistic vision, Wagner had his own opera house built to his specifications: the Bayreuth Festspielhaus, which featured many innovations designed to immerse the audience in the drama. It hosted the premieres of The Ring and Parsifal, and remains entirely devoted to staging his mature works at the annual Bayreuth Festival. After Wagner’s death, his wife Cosima assumed leadership; it has since remained under the management of their descendants.

Wagner's unorthodox operas, provocative essays, and contentious personal conduct engendered considerable controversy during his lifetime, and continue to do so. Declared a "genius" by some and a "disease" by others, his views on religion, politics, and society remain debated—most notably the extent to which his antisemitism finds expression in his stage and prose works. Despite this, his operas and music remain central to the repertoire of major opera houses and concert halls worldwide. His ideas can be traced across many art forms throughout the 20th century; his influence extended beyond composition into conducting, philosophy, literature, the visual arts, and theatre.

Read more about this composer on Wikipedia.

  • Symphony in C major, WWV 29 1832 Orchestral
  • Symphony in E major, WWV 35: Version completed by Felix Mottl 1832 Orchestral
  • Die Feen, WWV 32: Opera 1833 Stage
  • Rienzi, WWV 49: Opera 1837 Stage
  • Die Meistersinger von Nürnberg, WWV 96: Opera 1845 Stage
  • Lohengrin, WWV 75: Opera 1845 Stage
  • Das Rheingold, WWV 86a: Opera 1852 Stage
  • Tristan und Isolde, WWV 90: Opera 1857 Stage
  • Siegfried Idyll, WWV 103: Symphonic poem 1870 Orchestral
  • Kaisermarsch, WWV 104 1871 Orchestral
  • Götterdämmerung, WWV 86d: Opera 1874 Stage
  • Parsifal, WWV 111: Opera 1877 Stage
  • Adieux de Marie Stuart, WWV 61: Song Vocal
  • Albumblatt für Ernst Benedikt Kietz, "Lied ohne Worte", WWV 64 Keyboard
  • Albumblatt für Frau Betty Schott, WWV 108 Keyboard
  • American Centennial March, WWV 110 Orchestral
  • Ankunft bei den schwarzen Schwänen, WWV 95 Keyboard
  • Attente, WWV 55: Song Vocal
  • Beim Antritt des neuen Jahres 1835, for choir and orchestra Vocal
  • Columbus, WWV 37: Overture Orchestral
  • Concert Overture no. 2, WWV 27 Orchestral
  • Das Liebesmahl der Apostel, WWV 69: Cantata Vocal
  • Das Liebesverbot, WWV 38: Opera Stage
  • Der Tannenbaum, WWV 50: Song Vocal
  • Der Worte viele sind gemacht, WWV 105: Song Vocal
  • Der fliegende Holländer, WWV 63: Opera Stage
  • Die Walküre, WWV 86b: Opera Stage
  • Dors, mon enfant, WWV 53: Song Vocal
  • Elegy, WWV 93 Keyboard
  • Entreactes tragiques, WWV 25 Orchestral
  • Fantasia in F sharp minor, WWV 22 Keyboard
  • Faust Lieder, WWV 15: Songs Vocal
  • Huldigungsmarsch, WWV 97: For military band Orchestral
  • König Enzio, WWV 24: Overture Orchestral
  • Les deux grenadiers, WWV 60: Song Vocal
  • Mignonne, WWV 57: Song Vocal
  • Piano Sonata in A flat major, WWV 85, "Eine Sonate für das Album von Frau Mathilde Wesendonck" Keyboard
  • Piano Sonata in B flat major, WWV 21 Keyboard
  • Polka, WWV 84 Keyboard
  • Polonaise, WWV 23a Keyboard
  • Polonia, WWV 39: Overture Orchestral
  • Rule Britannia, WWV 42: Overture Orchestral
  • Siegfried, WWV 86c: Opera Stage
  • Tannhäuser, WWV 70: Opera Stage
  • Tout n'est qu'images fugitives, WWV 58: Song Vocal
  • Trauermusik, WWV 73: For band Orchestral
  • Wesendonck Lieder, WWV 91: Songs Vocal
  • Züricher Vielliebchen-Walzer, WWV 88 Keyboard